By Karin E. Olsen, Jan R. Veenstra
Ever because the center a while the Otherworld of Faerie has been the article of great highbrow scrutiny. What technological know-how in any case brushed aside as ethereal nothings used to be given an area habitation and a reputation by means of artwork. This ebook offers a number of the major chapters from the historical past and culture of otherworldly spirits and fairies within the folklore and literature of the British Isles and northerly Europe. In 11 contributions assorted specialists care for many of the major difficulties posed by means of the scholarly and creative war of words with the Otherworld, which not just fuelled the mind's eye, but in addition resulted in the last word redundancy of discovered perceptions of that Otherworld because it was once ultimately obfuscated by way of the readability of an enlightened age. members contain: Henk Dragstra, John Flood, Julian Goodare, Tette Hofstra, Robert Maslen, Richard North, Karin E. Olsen, David J. Parkinson, Rudolf Suntrup, Jan R. Veenstra, and Helen Wilcox.
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Additional info for Airy Nothings : Imagining the Otherworld of Faerie from the Middle Ages to the Age of Reason : essays in honour of Alasdair A. MacDonald
This account of the book’s genesis is supported by the second epistle, ‘Unto the Christian Reader’. The letter purports to have been written by the friends of the gentleman student, and confirms the origins of this ‘novel’ or ‘news’ (think of the news Tarlton brought from Purgatory, which were ‘novels’—literally ‘new things’—or short stories) in a private game marlowe’s ghost 11 among the educated gentry. ‘These newes here raised out of auncient copies’, it declares, ‘a Gentleman friend of ours translated for our private intelligence amongest our selves, and sent them from Wittenberge to Oxenford’ (sig.
16), pp. 52–72. 20 See R. W. 1 (2009), 129–44. 2011). 8 robert w. maslen the dead are very much more sophisticated than those of its rivals—a fact which, together with its anonymity, may have contributed to its relative obscurity in the annals of English fiction. The book may simply have been too clever to be readily assimilated into any of the categories by which scholars have sought to taxonomize Tudor prose fiction. The games begin in the preface or prologue of the first edition, and a close analysis of this prologue will give a good indication of the pamphlet’s unique relationship to the interwoven legends of Dr Faustus and Christopher Marlowe.
C. Hamilton (Toronto, 1997); Yates, Occult Philosophy, p. 187. 3 Charles G. Nauert, Agrippa and the Crisis of Renaissance Thought, Illinois Studies in the Social Sciences 55 (Urbana, 1965), pp. 323–28; Yates, Occult Philosophy (see above, n. 1), pp. 57–70, 74–75, 137–471, 211–12; Keefer, ‘Agrippa’ (see above, n. 2), p. 43. 4 This celebrity was due in large part to his De occulta philosophia libri tres (Three Books of Occult Philosophy, 1533). 6 A shorter work of Agrippa’s has also received considerable attention.
Airy Nothings : Imagining the Otherworld of Faerie from the Middle Ages to the Age of Reason : essays in honour of Alasdair A. MacDonald by Karin E. Olsen, Jan R. Veenstra