By Marsha MacDowell, Michigan State University Museum
A worthwhile, old contribution, this is often the 1st publication at the quiltmaking culture of African american citizens in Michigan. With 60 pictures of quilts, it brings jointly many pictures within the exploration of African American quilting and examines quiltmaking as a kind ladies have used to make contributions to the ancient which means of the African American kinfolk and neighborhood.
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Additional resources for African American Quiltmaking in Michigan
Wilkins, Log Cabin (See Figure 77, p 53 ) Page 13 Quilts and African-American Women's Cultural History Darlene Clark Hine On July 19, 1988, Jesse Jackson addressed the Democratic Party Convention in Atlanta, Georgia, and made poignant remarks about the functional and political dimensions of Black women's quilting. He declared: When I was a child growing up in Greenville, South Carolina and Grandmomma could not afford a blanket, she didn't complain, and we didn't freeze. Instead she took pieces of old cloth patcheswool, silk, gaberdeen [sic], crockersakonly patches, barely good enough to wipe off your shoes with.
Additional support for the traveling itinerary for the exhibit was provided by the Elizabeth Halsted Lifelong Education Traveling Exhibition Endowment and the following exhibit venues: the Museum of African American History (Detroit), the Flint Institute of Arts, and the Ella Sharp Museum (Jackson). Ongoing financial support for administration of this project was also provided by the Michigan Council for Arts and Cultural Affairs (MCACA) through funding of the Michigan Traditional Arts Program (MTAP) at the Michigan State University Museum.
The Michigan data included "typical African American" quilts, generally made by women who had been born and raised in the South and who migrated North and/or who kept in close contact with relatives who lived in the South. However, research also documented quilts reflecting many other traditions rooted in a variety of other experiences, including urban, Northern, multiethnic, occupational, and African. Thus the exhibit did not reveal a "typical African American" quilt type, but a diversity of styles, pattern names, techniques, and uses found within the Michigan African American experience.
African American Quiltmaking in Michigan by Marsha MacDowell, Michigan State University Museum